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Failure of Animation Mass Production in Iran: a Production-Management Approach in the Decade 1380-1390

Ahmad Langroudi, Mohammad Ali Safoora, Amir Hassan Nedaei
Journal PaperHonar--Ha-Ye-Ziba: Honar-Ha-Ye-Namayeshi Va Mosighi , Volume 17 , Issue 2, 2013 April 21, {Pages 61-68 }

Abstract

Animation, in its shape and content, originates from imagination; its most important characteristic is the actualization or materialization of endless imaginations. The art of animation, when its variety of techniques and attractiveness is considered, is warmly accepted by a wide range of audiences across the globe. With the emergence of television and its serious need for this art, animations gradually moved towards industrialization. All these, with its importance in today’s world to achieve both cultural and financial goals, led various artists to be attracted to and employed in this huge industry. This large group of human resources is actually the building block of this industry which has made it change from its initial shape as an a

Developing strategies to promote the Iranian international film market

M Mohammadian, A Nedaei, Y Giyahi
Journal PaperManagement Science Letters , Volume 2 , Issue 3, 2012 January , {Pages 869-876 }

Abstract

International film market of Iran (IFM) is one of the most important presenters of different films and television programs to be sold in the world market especially in Middle East. The primary purpose of this paper is to investigate different methods to promote this market. The study uses a questionnaire and distributes it among buyers and sales agents of IFM. The results of hypothetic tests prove that the socio-cultural factors are the most important reasons for the participants. Another important criterion promoting sales of movies is different awards from various movie festivals dedicated to moviemakers. The opening date and place of market, publication and publicity are other important criteria influencing sales of movies. The paper ill

Strategies to Promote the Iranian International Film Market

Mahmood Mohammadian, Amir Hassan Nedaei, Yasaman Giyahi
Journal PaperHonar--Ha-Ye-Ziba: Honar-Ha-Ye-Namayeshi Va Mosighi , Volume 3 , Issue 43, 2012 June 21, {Pages 33-40 }

Abstract

The most popular international film market in Iran is "IFM", the Iranian film market where to present films and TV programs for sales and distribution from all over the world which is held each year in February in Tehran simultaneously with Fajr International Film Festival. It is to be mentioned that Farabi Cinema Foundation as the administration foundation has held this event till February 2011, the 14th edition of IFM. Despite its successful feedbacks, it seems there are some deficiencies in the previous editions which can have a noticeable impact on the market’s creditability like the unprofessional marketing by the participants and uncertain statistics regarding the contractions done in the market, disqualified film screenings, lack o

Strategies to Promote the Iranian International Film Market

Mahmood Mohammadian, Amir Hassan Nedaei, Yasaman Giyahi
Journal PaperHonar--Ha-Ye-Ziba: Honar-Ha-Ye-Namayeshi Va Mosighi , Volume 3 , Issue 43, 2012 June 21, {Pages 33-40 }

Abstract

The most popular international film market in Iran is "IFM", the Iranian film market where to present films and TV programs for sales and distribution from all over the world which is held each year in February in Tehran simultaneously with Fajr International Film Festival. It is to be mentioned that Farabi Cinema Foundation as the administration foundation has held this event till February 2011, the 14th edition of IFM. Despite its successful feedbacks, it seems there are some deficiencies in the previous editions which can have a noticeable impact on the market’s creditability like the unprofessional marketing by the participants and uncertain statistics regarding the contractions done in the market, disqualified film screenings, lack o

Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art

Amir Hassan Nedaei, Moones Boskabady
Journal PaperHonar--Ha-Ye-Ziba: Honar-Ha-Ye-Namayeshi Va Mosighi , Volume 2 , Issue 41, 2011 October 23, {Pages 71-78 }

Abstract

The storytelling with picture (Pardeh-khani), as one of the traditional forms of theatre in Iran has many capabilities in artistic and dramatic expression. Yet, about this kind of traditional theatre, many researches has been accomplished about its structure and performing methods. The main question of this article is that, is it possible to use this theatrical form in one of the most important artistic forms of today, multimedia art, by changing and modernizing theatrical elements of the storytelling with picture (Pardeh-khani) to attract wider range of audience? The main hypothesis is that recognition of theatric elements of this traditional theatre and comparison that with multimedia art can be increase it’s capabilities in modern arti

A STUDY ON RITUAL ARTS AND THEIR FUNCTIONS IN THE FILM SPRING, SUMMER, FALL, WINTER, AND SPRING

AMIR HASSAN NEDAEI, NAHID ALVANDI, SETAREH IRANI
Journal Paper , Volume 6 , Issue 11, 1 January , {Pages 51-63 }

Abstract

Cinema, as a modern media and one of the most affective forms of contemporary human’s art, has extended its areas and spheres of explorations effectiveness. One of these areas, which have entered into the set designing, is the aspect of traditional arts. With this way of set designing, one can make a film with a national and traditional point of view. In each country, traditional and ritual arts (as old forms of art) and cinema (as a modern art) are produced from history, historical activities, plural experiences and that nation’s beliefs. These elements have emerged in the culture. Hence, ritual arts in set designing for the films can be an important field of analyzing and studying in cinema studies. Cinema, as an art, has become a way

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