En
  • دکتری (1388)

    پژوهش هنر

    دانشگاه تربیت مدرس،

  • کارشناسی‌ارشد (1383)

    ادبیات نمایشی

    دانشگاه تهران، ایران

  • کارشناسی (1381)

    سینما - کارگردانی

    دانشگاه هنر تهران،

  • دراماتورژی و اقتباس ادبی
  • زبان و بیان نمایشی
  • مطالعات فرهنگی ادبیات و نمایش
  • فلسفه و زیبایی شناسی فیلم

    دکتر محمد جعفر یوسفیان کناری ، استاد سرآمد آموزشی دانشگاه تربیت مدرس در سال 1400، به عنوان دانشیار گروه ادبیات نمایشی در دانشکده هنر و معماری دانشگاه تربیت مدرس مشغول به کار است. او از سال 1389به همکاری با گروه مذکور پرداخته و تا کنون راهنمایی و مشاورة پایان نامه های دانشجویان مقطع کارشناسی ارشد را با تمرکز بر موضوع درام ایران به عهده داشته است. زمینة اصلی مطالعات وی “اقتباس و دراماتورژی ادبی بوده، در همین حال پروژه های تحقیقاتی مرتبط با مطالعه فرهنگی درام، زبان و بیان نمایشی و زیبایی شناسی فیلم را نیز پشتیبانی نظری می کند. طرح پژوهشی اختتام یافته ایشان با موضوع فرصت ها و راهکارهای توسعه یافتگی سینمای ایران (1398) با حمایت مالی معاونت توسعه سازمان امور سینمایی در سطح ملی به انجام رسیده است. دکتر یوسفیان از سال 2007 تا کنون عضو کارگروه تئاتر خاور میانه – فدراسیون بین المللی پژوهشگران تئاتر به شمار می رود و با پشتیبانی این مرکز مقالات و سخنرانی هایی طی سال های 2012 تا 2020 در مجامع بین المللی ارائه نموده، منتشر کرده است. پژوهش وی درباره سیر تکوین اجرایی تعزیه، نمایش بومی ایران در سال 2016 در نشریه Arab Stage دانشگاه نیویورک و با همکاری ماروین کارلسون به چاپ رسیده است.

    ارتباط

    رزومه

    چالش‌ فرم و محتوا در اقتباس نمایشی از داستان‌های مرکب با تمرکز بر دو اثر:«مد و مه» و «تابستان همانسال»‎

    پایدارنوبخت, یوسفیان کناری, محمدجعفر‎
    Journal Papers , , {Pages }

    Abstract

    The challenge of form and content in dramatic adaptation of composite novel (Focusing on two works:" Fashion and Fog" and" Summer of the Year")

    F Paidarnobakht, MJ Yousefian Kenari
    Journal Papers , , {Pages }

    Abstract

    A Study on Patterns in Dramatic Discourse from a Metahistorical Perspective

    Nobakht Fereshteh Paydar, KENARI MOHAMMAD JAFAR YOUSEFIAN
    Journal Papers , Volume 3 , Issue 5001009, 2020 January 1, {Pages 13-36 }

    Abstract

    This study intends to answer a question that how can drama-as a literal framework-be a representation of surrounding discourse of historical and social issues. It seems that a necessity beyond history which is a thoughtful attention of the history and its comprehension is the primary path to connect the author’s mindset and his audience towards past and present events. This study is done with a purpose and identification of patterns on dramatic discourse in terms of history and social issues from the Hayden White’s Metahistory perspective. Since storification and language capacity are considered as discourse paradigms in Metahistorical theory, the hypothesis claims that drama enables historic discourse to be felt at the present time by

    Structural Analysis of Dramatic Plot Form Case Studies: Haulakhani (Naghmeh Samini) and Kabutari Nagahan (Mohmad Charmshir)

    YKM Jaafar, S Amirshahkarami
    Journal Papers , , {Pages }

    Abstract

    Survey of Stigma (Erving Goffman), Pride Mark in Selected Iranian Contemporary Drama

    Simin Meshkvati, KENARI MOHAMMAD JAFAR YOUSEFIAN
    Journal Papers , Volume 9 , Issue 1800588, 2019 January 1, {Pages 23-44 }

    Abstract

    Stigma refers to the different view of society to t marred identities. In such cases there is a difference between the potential identity and the actual identity. Those carrying a stigma try to resist public view about themselves by ignoring their position and showing new identities and behavioral characteristics. Social stigma creates unhappiness for a labelled person or community on social grounds that tries to distinguish them, from other portions of society. Stigma then can be attached to a person, by the greater society, who differs from their cultural norms. Social stigma can result from mental disorder, physical disabilities, diseases, illegitimacy, sexuality, beliefs, principles, religion, beauty, gender identity, parenthood, educat

    The Strains of the Influence of Irish Poet Thomas Moore on Nezami Ganjavi Focusing on Lalla rookh and the Haft peikar

    Fereshteh Paidarnobakht
    Journal PapersSHAFA-E-DEL , Volume 2 , Issue 4, 2019 December 25, {Pages 41-62 }

    Abstract

    In the late eighteenth and early nineteenth centuries, a huge wave called the Orientalist movement arose in the wake of Europeans' extensive trips to Iran and the Orient, one of the major achievements of which was the creation of areas of influence of classical Iranian literature in Western literature. The tall poem Lalleh Rookh was influenced by the Irish poet and writer Thomas Moore, influenced by the story of one of the grandchildren of Norjahan at the time. Moore's era has also been a politically, socially and historically sensitive time in Ireland. However, no trace of the period in which Tulip has been sung has been seen by Thomas Moore. However, there is clear and eminent evidence of Oriental signs, and in particular Moore's history,

    Diegesis vs. Mimesis; The Analysis of Narrative Aspects in Selected Works by Bahram Beyzai

    PARASTOO MOHEBBI, Mohammad Bagher Ghahramani, KENARI MOHAMMAD JAFAR YOUSEFIAN
    Journal Papers , Volume 8 , Issue 1600596, 2018 January 1, {Pages 37-53 }

    Abstract

    The concept of diegesis (telling or recounting a story) originally appeared in Plato’s thesis as opposed to mimesis (showing or enacting a story). In the current era, the notions of diegesis and mimesis, developed as key elements for differentiating verbal narratives from drama, have been reconsidered by narratologists who argue that in a play, an actor presents the sequence of events that is generally mediated through a given narrator in a fiction. In Stage Fright: Modernism, Anti-Theatricality, and Drama (2002), Marin Puchner coined the term “digetic theatre”. Digetic theatre focuses on a type of theatre that uses narrative and discourse techniques to deviate the audience’s attention from actors’ performance to words. Puchner us

    Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011

    SAJAD SOTOUDEH, AHMAD ALASTI, KENARI MOHAMMAD JAFAR YOUSEFIAN
    Journal Papers , Volume 22 , Issue 214, 2017 September 23, {Pages 103-114 }

    Abstract

    iranian cinema is well-known in international movie festivals. A lot of internal and external researchers have conducted many researches about Iranian cinema and its filmmakers. Usually these researches are affected by cultural studies and have the same approach to content and meaning. This has become the reason that we have few researches about visual aspects and cinematic structures in Iranian cinema. One of the neglected issues of visual aesthetics analysis in Iranian cinema is the dialogic moments: scene in which two or more characters talk to each other. Since dialogic moments have been used frequently in movies, its use has become conventional, and almost no movie can be found without them. One of the dominant conventions in directing

    El cine inacabado y sus autores: el arte de dejar incompleta una pel?cula

    Salvador Meseguer Torres
    Journal Papers , 2017 January 16, {Pages }

    Abstract

    Aproximaci?n al concepto de cine inacabado , sus razones y clasificaci?n a trav?s de los distintos ejemplos y cineastas que lo ejercieron o sufrieron.

    El cine inacabado y sus autores: el arte de dejar incompleta una película

    S Meseguer Torres
    Journal Papers , , {Pages }

    Abstract

    The ‘Place’in the Play ‘Melody of a Rainy City’by Akbar Radi: A Semiotic Study

    Baher Saboura Shahabi, Seyed Mostafa Mokhtabad, KENARI MOHAMMAD JAFAR YOUSEFIAN
    Journal Papers , Volume 6 , Issue 1200594, 2016 January 1, {Pages 19-33 }

    Abstract

    The present research analyzes the location and its relation to the other dramatic elements in the play “Melody of a Rainy City” composed by Akbar Radi using a descriptive-analytic method and place semiotics. The main purpose of this research is to find, classify and dramatically study the most important locational indicators in the given play. This research intends to analyze and examine the location, according to a semiotic approach, in order to show the implicit and explicit relationships between locations and the different dramatic elements such as characterization, action and plot. In order to analyze the location in this play, Verbal localization (stage direction, verbal indicators, dialogue), non-verbal localization (relationships

    ANALYSIS OF THE MAIN EFFECTS OF COUPLE RELATIONSHIPS IN THE PAST DECADE PLAYS OF IRAN (2001-2011)

    P AHMADI, KENARI MJ YOUSEFIAN
    Journal Papers , Issue 660072, 2016 January 1, {Pages 70-86 }

    Abstract

    The present article attempts to study the main effects of couple relationships in dramatic literature of the recent decade in Iran. This is a descriptive–analytical study. The contents of this research include family and theater studies. In this regard, we have selected a number of important dramas of this period and analyzed and compared them, using a conceptual framework farmed mainly based on the theories of Giddens, McCarthy and Edwards as well as dramatic elements consist of characters, dialogue, conflict, mise-en-scene and theme. Based on the conceptual factors in family relationships defined in this study as anomalous relations, drama elements reflect the couple relationships during performance. The findings of this study reveal th

    ANALYZING THE STRUCTURE OF MONOLOGUE IN TWO PLAYS, BY APPLYING THE MODEL" FUNCTIONS OF LANGUAGE" AND THE NOTION" SELF-CHRACTERIZATION" THE CASE STUDIES:" KABOOTARI NAGAHAN" AND?…

    KENARI MOHAMMAD JAFAR YOUSEFIAN, ZOHRE GHOLIPOUR
    Journal Papers , Volume 1 , 2016 January , {Pages }

    Abstract

    IN THIS RESEARCH, IT IS ATTEMPTED TO STUDY JAKOBSON'S FUNCTIONS OF LANGUAGE, FOCUSING ON TWO IRANIAN PLAYS. MONOLOGUE AND DIALOGUE ARE TWO ULTIMATE FORMS OF DRAMATIC SPEECH BETWEEN WHICH EXIST OTHER FORMS OF SPEECH, FOR INSTANCE SOLILOQUY. IN SOME CASES THESE TWO FORMS ARE INTERRELATED AND REFLECT SOME FEATURES OF EACH OTHER. OPERATING JAKOBSON'S FUNCTIONS OF LANGUAGE HELPS TO FIND OUT WHICH FORM OF DRAMATIC SPEECH IS DOMINANT IN A LITERARY TEXT. BESIDES THE NOTION SELF-CHARACTERIZATION IS A RESOURCE BY WHICH IT IS POSSIBLE TO RECOGNIZE MONOLOGICITY LEVEL OF SPEECH IN A DRAMATIC TEXT, SUGGESTED BY MANFRED PFISTER. IN THIS STUDY THE JAKOBSON'S MODEL AND THE NOTION OF PFISTER HAVE BEEN COMPLICATED TO ACHIEVE AN UNPRECEDENTED COMPREHENSION OF

    Significant Differences and Cultural Implications in the Persian Translation of Bertolt Brecht’s Plays (case studies: Herr Puntila und sein knecht Matti, Baal, Im Dickicht der?…

    Mohammad Jafar YousefianKenari
    Journal PapersLanguage Related Research , Volume 6 , Issue 7, 2016 February 10, {Pages 117-141 }

    Abstract

    The purpose of this paper is to outline the theory and practice of discourse analysis as a tool of interpretation in translation of dramatic works. By translation of dramatic works, the discourses of target language has been influenced and undergone some significant differences that has been making different interpretations. Translations of Bertolt Brecht’s plays because of their historical implications of the social status in two decades 50 to 60 and 80 in Iran, prepare the best data to measure this point. This descriptive study by incorporation of direct observation of original work and Library based method analysed primary data that have been collected and followed by focusing on the framework of Norman Fairclough approach to discourse

    A Comparative Study on Narrative Point of View & Possible Worlds in Iranian Fiction and Dramatic Literature; A Linguistic Approach the Case Studies: the Short Story "snail?…

    Mohammad Yousefian Kenari
    Journal PapersLanguage Related Research , Volume 7 , Issue 5, 2016 January , {Pages }

    Abstract

    In this research, it has been attempted to investigate how the point of view in story and drama is perceived. For this purpose, two case studies are considered: the short story Snail Cracker (by Shahryar Mandanipour) and the play “Hovel of Trauma& Agony"(by Mahmoud OstadMohammad). The similarity between two case studies is the fact that in both, the audience finds out viewpoint of absent characters, through the statements of present figures in the story and drama worlds. To understand how it works, a combination of the linguistic approaches of McIntyre, based on “Deictic Shift” and Ryan's notion of “Possible Worlds” are adopted as the theoretical framework of the study. The main problem of the article is to discover narratological

    The ‘Place’in the Play ‘Melody of a Rainy City’by Akbar Radi: A Semiotic Study

    S Shahabi Baher, SM Mokhtabad, MJ Yousefian Kenari
    Journal Papers , , {Pages }

    Abstract

    Significance of Deviation from Hypotext: Intertextual Study of Abel Sanchez (Miguel de Unamuno) and Symphony of Death (Abbas Maroofi)

    A Najafi, H Lezgee, MJ Yousefian Kenari
    Journal Papers , , {Pages }

    Abstract

    Functions of Masks and Androgyny Intrigue in Characterization of Contemporary Iranian Drama

    MJ Yousefian Kenari, S Meshkati
    Journal Papers , , {Pages }

    Abstract

    Significant Differences and Cultural Implications in the Persian Translation of Bertolt Brecht’s Plays (case studies: Herr Puntila und sein knecht Matti, Baal, Im Dickicht der …

    MJ YousefianKenari
    Journal Papers , , {Pages }

    Abstract

    A Comparative Study on Narrative Point of View & Possible Worlds in Iranian Fiction and Dramatic Literature; A Linguistic Approach the Case Studies: the Short Story "snail …

    Mohammad Yousefian Kenari
    Journal Papers , , {Pages }

    Abstract

    /pro/academic_staff/yousefian/publication

    دروس نیمسال جاری

    • كارشناسي ارشد
      مقاله و سمينار ( واحد)
      دانشکده هنر، گروه ادبيات نمايشي
    • كارشناسي ارشد
      مقاله و سمينار ( واحد)
    • كارشناسي ارشد
      جنبه هاي نمايشي در ادبيات فارسي (2) ( واحد)
    • كارشناسي ارشد
      جنبه هاي نمايشي در ادبيات فارسي (2) ( واحد)

    دروس نیمسال قبل

    • كارشناسي ارشد
      روش تحقيق درهنر ( واحد)
      دانشکده هنر، گروه ادبيات نمايشي
    • كارشناسي ارشد
      روش تحقيق درهنر ( واحد)
    • كارشناسي ارشد
      بررسي نظريه هاي جديددرادبيات نمايشي معاصر ( واحد)
    • كارشناسي ارشد
      بررسي نظريه هاي جديددرادبيات نمايشي معاصر ( واحد)
    • كارشناسي ارشد
      جنبه هاي نمايشي در ادبيات فارسي (1) ( واحد)
    • كارشناسي ارشد
      جنبه هاي نمايشي در ادبيات فارسي (1) ( واحد)
    • كارشناسي ارشد
      نظريه هاي بازيگري در قرن بيستم (1) ( واحد)
    • كارشناسي ارشد
      نظريه هاي بازيگري در قرن بيستم (1) ( واحد)
    • 1400
      ميري, محمدامين
      مقايسه عملكرد نمايشي گروه هاي درام كاربردي فعال در ايران(با تمركز بر فعاليت گروه هاي نمايشي مفيد، تئاتر شورايي تهران و موزه كودكي ايرانك)؛ پروژه عملي: نگارش نمايشنامه «پاهاي برهنه».
    • 1400
      بهاري, نجمه
      داده ای یافت نشد
    • سرپرست معاونت آموزشی دانشکده هنر و معماری- 1393 تا 1396
    • مدیر امور آموزشی- مرداد 1397 تا 1399
    • دبیر کمیته منتخب دانشکده هنر و معماری- 1393-1397
    • عضو کمیسیون جامع آموزشی-1396 تا1399
    • استاد سرآمد آموزشی دانشگاه تربیت مدرس در سال 1400
    • استاد شایسته تقدیر در سرآمدی آموزش- اردیبهشت1398
    • پژوهشگر برگزیده کانون منتقدان تئاتر ایران (سال 1393)

    مهم

    جدید

      اطلاعیه ای درج نشده است